1 woman, 1 little girl, & 1 horse
90 minutes
A woman tries to make a child.
A woman tries to make a play.
A woman tries to make a life before time runs out.
In creation stories and all the important importants, IVF becomes ritual, memory becomes matter, childhood becomes oracle, and the future waits in the stars. Not part of the Ufot Cycle, but completing one, the play is an intimate epic about origin, inheritance, and impossible hope.
open casting
approximately 2.5 hours
In her update of Shakespeare’s Othello, Mfoniso Udofia engages with the racial malice at the heart of the play. Udofia’s take on this complicated story emphasizes the rhythm and lyrical patterns of Othello’s speech. Opening up the text to modern ears, Udofia presents us with a code-switched Othello.
This translation of Othello was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse.
7 characters
open casting
Fire. Butterfly. Rollercoaster. How do you meaningfully connect? In this series of interconnected vignettes, poems and songs, On Love, showcases the eight different types of love and the depths in which the human emotion can feel.
FIRSTCLASS
2 women & 3 men
Tasha has escaped her life in the projects of Memphis, Tennessee and made a life in the heart of New York City. She had no plans to ever return until her sister has an emergency. Tasha attempts to reconcile her torn history with her opulent present and along the way pick up the pieces of herself she left behind. Play still being written